Israel #FoodandLit April

I am so looking forward to this month!

All these plus more coming in from the library to cook from!
WALKING LIONS
There is a folk proverb that says that once a lion is wok­en up and tastes human flesh, it will nev­er eat any­thing else again. In Ayelet Gundar-Goshen’s sec­ond nov­el, the wok­en lion is Sirk­it, the wife of the man Eitan ran over; the flesh she refus­es to let go of is Eitan’s. The day after the mur­der, she appears at Eitan’s home hold­ing his wal­let. She uses it to black­mail Eitan into set­ting up a night clin­ic in a garage where he is forced to treat the sick of the Eritre­an refugees. Eitan is trapped. He must work at his makeshift clin­ic at night or face mur­der charges, and he must con­tin­ue to live his every­day life as a neu­ro­sur­geon in a near­by hos­pi­tal. All this must be done with­out his chil­dren dis­cov­er­ing his secret life. It is espe­cial­ly imper­a­tive that he keeps his secret from his wife, who is a police offi­cer active­ly inves­ti­gat­ing the crime.
As Eitan hides his night activ­i­ties, Sirk­it hides her true motives. The two work togeth­er night after night as Eitan fab­ri­cates sto­ries for his fam­i­ly. Eitan and Sirk­it are ambigu­ous about each oth­er: ​“It’s dif­fi­cult to hate for such a long, con­tin­u­ous peri­od of time. Two peo­ple work in the same place for hours. Around them, peo­ple come and go. But it’s always the same two peo­ple in the same place.… they begin to be too tired even to hate.” A rela­tion­ship builds between them.
The author ele­gant­ly inter­twines sym­bols and metaphors into her tale. The moon is vital to the Eritre­an woman, because it allows Eitan to see to per­form his pro­ce­dures. Sirk­it her­self grows ros­es next to her door, a clear ref­er­ence to Hes­ter Prynne in The Scar­let Let­ter, where ros­es grew next to the jail­house where Hes­ter was kept. The women in both nov­els kept their secrets.
The Eritre­ans and the Bedouins are por­trayed as under­dogs — viewed as unwant­ed tres­passers on the land of the sto­ry. The hatred of the Israelis toward the two groups is rec­i­p­ro­cat­ed. A Bedouin boy hits an Israeli boy in the eye with a ham­mer; the Israeli police casu­al­ly deal with the Eritre­an and Bedouin deaths. One feels for the strangers who are treat­ed so cav­a­lier­ly by the soci­ety that har­bors them.
Wak­ing Lions is a sophis­ti­cat­ed and elo­quent­ly writ­ten book. It is also a grip­ping read, offer­ing read­ers a fas­ci­nat­ing look into the lit­tle-known cul­ture of the Eritre­an refugee camp. It allows the read­er to enter a world of secrets, moral cor­rup­tion, and redemption.
The People of Forever are Not Afraid  
Yael, Avishag, and Lea grow up together in a tiny, dusty Israeli village, attending a high school made up of caravan classrooms, passing notes to each other to alleviate the universal boredom of teenage life. When they are conscripted into the army, their lives change in unpredictable ways, influencing the women they become and the friendship that they struggle to sustain. Yael trains marksmen and flirts with boys. Avishag stands guard, watching refugees throw themselves at barbed-wire fences. Lea, posted at a checkpoint, imagines the stories behind the familiar faces that pass by her day after day. They gossip about boys and whisper of an ever more violent world just beyond view. They drill, constantly, for a moment that may never come. They live inside that single, intense second just before danger erupts.
   In a relentlessly energetic and arresting voice marked by humor and fierce intelligence, Shani Boianjiu creates an unforgettably intense world, capturing that unique time in a young woman’s life when a single moment can change everything.
Rahel is rightfully considered the “founding mother” of modern Hebrew poetry by women. In the thousands of years that elapsed between the poetry of Deborah the Prophet and the early twentieth century, virtually no Hebrew poetry was composed by women. During her lifetime, she enjoyed some recognition, but this did not presage the extent of her future popularity. Rahel’s writing had an obvious impact on future generations of men and women poets. More than twenty different editions of her collected poetry and other writings have been published since her death, and a new edition of her poetry joins the library of Hebrew literature every few years. Many of her poems, among them “Zemer Nogah,” “Gan Na’ul” and “Kinneret,” have been set to music and have become an integral part of Hebrew culture. Thanks to them, Rahel has achieved the status of an eminent, beloved national poet.

Aftergrowth

Considered a national treasure, her work is taught as part of the school curriculum to this day. Scribbling many of her poems on hospital napkins while battling tuberculosis, her work echoes feelings of longing and loss. Rachel published two books before dying at the age of forty. This book is bilingual, with Hebrew and English side-by-side and line-by-line. Also included are audio recordings of the original Hebrew poems, appealing to readers who wish to learn Hebrew, lovers of poetry, or both.
Classic Shakshuka Ingredient Essentials
Quality Extra Virgin Olive Oil – A good glug of EVOO does this dish absolute wonders. It binds the flavours together beautifully and keeps the dish nice and silky smooth.
Onion and Red Pepper – Used to bulk out the dish. A lot of recipes stuff a tonne of different veg, but it truly doesn’t need it. Keep it simple. I like the base as more of a sauce than a skillet of veg.
Spices – I use 4: paprika, cumin, smoked paprika and cayenne pepper. 
Tomatoes – Canned and chopped is best.
Eggs – Of course.
How to make Shakshuka (quick summary) 
Fry pepper and onion in olive oil until softened and beginning to brown.
Add garlic and fry for a couple of minutes longer.
Stir in spices.
Pour in tomatoes and season. Leave to simmer for 5 mins.
Crack in eggs and cook 

A lot of recipes state to simmer the sauce until it thickens, add the eggs then put the skillet straight in the oven or pop on the lid. From doing this I found that not only does the sauce dry up easier (more so in the baking method), but the egg yolks are more likely to overcook, or at least glaze over with egg white.
By simmering with the lid off you allow the egg whites to get a head start cooking, meanwhile by the time they’re almost done, no direct heat has been subjected to the egg yolks, meaning they’re still going to be nice and runny after a short stint in the oven or with the lid on. Just a quick note on the two cooking methods:
Lid on – Finish cooking the eggs by pop a lid on your skillet and steam/poach your eggs. This method is great because it stops the sauce from reducing too much. I recommend moving the skillet around the flame a few times to make sure each egg cooks evenly.
Bake in the oven – Finish cooking the eggs in the oven. Make sure your skillet is oven safe and ensure you use a towel/oven glove to take it out as it’s gonna be hotttttt.
Serve with Feta and toast like ciabatta -YUM.
Considered the Holy Land for Judaism, Christianity, and Islam, Israel is a sacred place that holds a rich history.
Easy Breakfast Dish
You know the story of the tortoise and the hare, right? In this version, they race across Israel — and see many sights along the way. At least, Tortoise does…
Published to coincide with the fiftieth anniversary of the founding of Israel, a unique album of two hundred reproductions traces the development of painting in the country, as it combined regional influences with those of European immigrants.
A Century of Israeli Art presents the story of modern Israel’s visual culture, beginning with the pre-state years of Zionist art in the early 20th century and extending to the present day, as a new generation of Israeli artists rises to international prominence in the 21st century. Author Yigal Zalmona describes the many ways in which Israel’s art has been influenced by its social and political history, surveying the early days of the Bezalel School, founded in 1906 in the spirit of the Arts and Crafts movement; Land-of-Israel art during an era of nation-building; the pre-eminence of international modernism and Lyrical Abstraction after 1948; social-activist and conceptual art in the 1970s; and the recent embrace of photography and video.

I own so many, however I am starting with the listed books plus some extra cookbooks out of the library. I have to say to date this is my favorite reading challenge, also I can not believe it is April.

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